Susan Comer
embrace flaws take pleasure in mishaps and regard them as a manifestation of the work experimentation informing each new work primitive markings reverberation change development patterns repetition obsession random influence distillation connections relationships mimicry questions order disorder fundamental intervention non-permanent visitation a moment in time using my hands free organic process getting away from a
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(Posts from 2004 are not complete. If you have additional information to add to the Independents Biennial Archive, please get in touch)
