Ben Youdan: Mask

As part of a series of interventions in our Philip Wilson Steer ‘In Conversation’ exhibition, the Williamson has invited the Liverpool artist, Ben Youdan, to feature a work that contrasts and explores the themes found within Steer’s work.

Youdan’s practice employs a wide variety of techniques and processes including collage, drawing, painting, printmaking and photography, to create imagery that takes inspiration from the iconography and ephemera of popular culture as well as his lived experience. His pieces explore themes such as identity, glamour and sexuality in an unapologetically Queer fashion.

In Youdan’s own words:

“As an artist, I am interested in exploring the notion that the masks we wear can reveal something intrinsic to our nature. These masks can be physical or psychological. The anonymity of concealing our physical appearance can have a liberating effect, that emboldens the individual to explore their true nature. This inherent contradiction is particularly prevalent within queer sexual subcultures.

Steer’s work is often seen as voyeuristic, whereas mine revels in a more exhibitionist nature, born out of lived experience.

Whilst Steer’s work has a muted, naturalistic colour palette, my work revels in its own artifice. The colours selected are deliberately synthetic, clashing, and even gaudy, but with a self-awareness and exuberance that reflects the unapologetic nature of the subject. In many ways this work is the polar opposite of the muted tones and perceived repression found within some of Steer’s work in this exhibition.

In traditional portraiture, the eyes are typically what the viewer engages with, setting the mood for the piece and revealing a vulnerability in the subject. With ‘Mask’, the eyes are deliberately obscured, presenting my subject in a way that is vulnerable, honest and open in a way that protects them, allowing them to remain indifferent to the judgement they might receive. Where Steer’s subjects are laid bare in a passive, open manner, mine retains their agency and power by presenting an authentic version of themselves and their sexuality – on their terms.

The image of the gas mask can be interpreted in a variety of ways. In this specific intervention it is a device used in sexual role-play in a variety of fetish subcultures which deviate from the mainstream. It often denotes a submissive person who has elected to give themselves over completely to the gratification of a dominant partner. To a mainstream observer, this can often have darker connotations. This piece aims to subvert that presumption. Instead of black shiny rubber, it is presented in pink shiny glitter, challenging preconceived notions of alternative sexual expression.

My complex, handmade, mixed media portraits take inspiration from my lived experience of pop culture, the ephemera of daily life and queer subcultures.”

Philip Wilson Steer: In Conversation

Ben Youdan’s website