Paul Luckcraft
The series of paintings featured in the exhibition originate from photographs of TV ‘white noise’. The flickering points of light on a screen are translated into thick blobs, smears and drips of paint sealed behind layers of varnish. This physical, tactile quality creates a distance from the flat photographic source allowing for an investigation of
(Posts from 2004 are not complete. If you have additional information to add to the Independents Biennial Archive, please get in touch)
